“El-mecâzu kantaratü’l-hakîkah” Metaphor is the bridge of reality.
What Costak, for that matter what Petri stands for? For what? What reality we have in the film? In his real or imagined life? Criminal history?
Why I find a certain connectedness in the story 'the somewhat meaningless crime and death' of an immigrant dishwasher who worked long and silent years in a nondescript hotel kitchen in North America?
The curator? What is his achievement if he only gets and displays the slippers without truly understanding the connections in the story? Is he just curious about the story or the object.
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